It might even be possible to blag some free time in a studio - or at least get a good discount. Some studio contracts will state that a day is 12 hours long, so you’ll be forced to pay extra if you’re in there longer than that. There can also be some confusion over how long a “day” in the studio actually is. When choosing a studio it’s important to always read the small print, as some places charge huge fees for recording backups or additional CDs, or for hiring equipment. If you don’t click with the engineer, the atmosphere in the studio probably won’t be very good, and that could be reflected in the recordings. It’s important that you feel they’re on your wavelength and that they know what you want to achieve from the sessions. Make sure you meet the engineer who would be working on your recording. Hiring a studio is an expensive business, and not a decision to be made lightly. Even if you prefer one studio over the others you’ve looked around, make sure you don’t hand over any money until you’ve gone away and thought about it first. You may benefit from their impartial advice. If you’re not sure what you should be looking out for, ask a more experienced friend or music tutor to come with you when you take a look around. It’s worth asking the studio staff if they have any equipment that you could borrow or hire – not all do, so don’t assume that the Fender Deluxe stack in there when you look around will be available for you to use. It can be hard to choose which studio to go with, so you’re best off speaking to someone who’s recorded material at a studio to find out what the staff, equipment and end results were like. Try looking through the Yellow Pages, or on Gumtree, Loot, or simply check out the business cards of studio owners frequently posted on the noticeboards of local music shops. Word of mouth is the best way to find a studio to suit your needs if none of your musical allies can recommend a place to you then you can look on websites like Showcase or Meta. You must enable JavaScript to play content
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